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Sufism

The Guest House

TraditionSufism SourceRumi, Masnavi V.157 (Coleman Barks translation; faithful translation from Persian) Erac. 1260 CE

The Teaching

BARKS TRANSLATION

This human being is a guest house. Every morning a new guest arrives.

Joy, depression, meanness, some momentary awareness comes as an unexpected visitor.

Welcome and entertain them all. Even if they're a crowd of sorrows who violently sweep your house empty of its furniture, still, treat each guest honorably. Each may be clearing you out for some new delight.

The dark thought, the shame, the malice — meet them at the door laughing and invite them in.

Be grateful for whoever comes, because each has been sent as a guide from beyond.

FAITHFUL TRANSLATION (from the Persian Masnavi)

This body is a guest house, O young man; every morning a new guest arrives running. Do not say: "this will remain upon my shoulders," for it immediately flies back into non-being. Whatever comes from the unseen world, is a guest in your heart — receive it with joy.

Source: Masnavi-ye Maʻnavi, Daftar V, v. 157 (ganjoor.net/moulavi/masnavi/daftar5/sh157)

Commentary

The Guest House is one of the most practical mystical teachings ever written. It does not say 'achieve inner peace.' It says 'welcome everything that comes.' The practice is radical hospitality toward one's own experience.

This is the Stoic Epictetus in mystical dress: 'wish the things which happen to be as they are.' This is the Buddhist teaching on two arrows, we suffer the second arrow when we resist the first. The Guest House says: do not shoot the second arrow.

The Gita's action without attachment has the same structure: engage fully, but without the ego's insistence that experience must be other than it is. The guest who clears the house 'for some new delight' is kenosis, the emptying that makes room for something larger.

A note on translation: Coleman Barks is the most widely read English translator of Rumi, and his version opened this poetry to millions of Western readers, that matters. But Barks worked from existing English translations rather than the Persian original; he did not know Persian. His renderings also de-emphasize the Islamic religious context, softening or replacing Sufi cosmological language. The difference shows in the faithful translation above: "immediately flies back into non-being" is more explicitly impermanent than anything in Barks, and "whatever comes from the unseen world" preserves the theological frame that Barks tends to universalize into something more generically spiritual. Both versions are presented here because both have something to teach.

Themes

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